Fashion killed the pottery works: porcelain took the market away from faience, and production at Holíč ended in the first third of the nineteenth century — some sources say 1827, others 1836. Holíč faience survives in museum collections and counts as a real chapter in the history of European ceramics, not a local curiosity. The house itself became one estate among many belonging to a family that now ruled an empire, and the imperial visits dried up. Then the revolution of 1848 abolished serfdom across the monarchy, and the villagers who had owed unpaid labour to the Holíč estate became owners of the fields they worked. The economy the château had been built on top of simply stopped existing.Manufaktúru zabila móda: fajansu vytlačil z trhu porcelán a výroba v Holíči sa skončila v prvej tretine devätnásteho storočia — jedny pramene uvádzajú rok 1827, iné 1836. Holíčska fajansa sa zachovala v múzejných zbierkach a je skutočnou kapitolou dejín európskej keramiky, nie miestnou kuriozitou. Zo zámku sa stalo jedno panstvo z mnohých pre rod, ktorý medzitým vládol ríši, a cisárske návštevy ustali. Revolúcia roku 1848 potom zrušila v celej monarchii poddanstvo a dedinčania, ktorí panstvu odpracúvali robotu zadarmo, sa stali vlastníkmi polí, ktoré obrábali. Hospodárstvo, na ktorom zámok stál, jednoducho prestalo existovať.
